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                    "Peter Max, whose colorful, psychedelic pop art expressed the optimism of the \u201cflower power\u201d movement of the 1960s and graced everything from postage stamps to a cruise ship, has died at 88.Max died on Monday, his son, Adam Max, said in a written statement on Wednesday. No cause was given.\u201cWe will remember his extraordinary creativity, his warmth, his curiosity, and the way he saw beauty and possibility everywhere,\u201d Adam Max wrote in the statement. \u201cHis art became part of American culture, but the man behind that art \u2013 the father we knew and loved \u2013 is the person we will miss most.\u201dMax began his career in graphic design in the 1960s and his swirly, colorful, instantly recognizable designs epitomized the era\u2019s \u201cflower power\u201d art. But thanks to his prolific output and fun, accessible style, Max\u2019s work remained well known and popular well into the 21st century.He described his own work as \u201calways on the side of the peaceful nature. I don\u2019t discuss in my paintings negative things, I don\u2019t dwell on it in my mind and don\u2019t dwell on it in my canvasses.\u201dMax was the official artist for the Olympics, the Super Bowl, the Indianapolis 500, the World Cup, the World Series and many other events. His art appeared on a Boeing 777 airplane and a Norwegian Cruise Line ship. His portrait subjects ranged from US presidents to Taylor Swift.But in his first flush of success in the late 1960s and early 1970s, his mural-like tableaus of flowers, the cosmos and cartoonish figures \u2013 all in vivid colors such as turquoise, orange and neon green \u2013 seemed to be everywhere. Dorm room walls were plastered with his posters. Household furnishings such as clocks and bedspreads sported his designs.He even created covers for the Manhattan Yellow Pages, a business phone directory distributed to millions of people. Max himself was featured on the cover of Life magazine in 1969, his trademark dark, bushy mustache framing a hearty grin.Peter Max among some of his creations in his New York studio in 1973. Photograph: Dave Pickoff/APMax was born Peter Max Finkelstein in 1937 to a Jewish family in Berlin. They fled Nazi Germany for Shanghai when he was a baby and later spent time in Tibet, Israel and Paris before settling in New York City when Max was 16. By then, he said in an interview, he was already \u201ca huge fan of American culture\u201d: comics, movies and \u201call the jazz music.\u201dBy the 1960s, Max\u2019s bold, unique style was a hit with ad agencies, publications, the corporate world and in pop culture, leading to a booming commercial business. \u201cMy work was really, I would say, almost exploited,\u201d he said. \u201cIt was on mugs, it was on bedsheets, it was on dresses, it was on silks and scarves and ties \u2013 70 product lines.\u201dMax shut the business down for a time in the early 1970s to reconnect with his art. One of his biggest projects after returning to public life was a series of portraits of the Statue of Liberty, painted at the White House at the invitation of first lady Nancy Reagan in 1981.Peter Max in 2012. Photograph: Erik Pendzich/ShutterstockMax weathered various controversies in his personal and professional life. He pleaded guilty to tax fraud in 1997 after the IRS alleged he concealed more than $1m in income from his art. He was originally sentenced to two months in prison but was allowed to serve the time in a work-release program, pay the back taxes and a $30,000 fine, and perform 800 hours of community service teaching art in Harlem schools.In 2015, his family life became tabloid fodder in a back-and-forth between his second wife, Mary, and Adam, his son from a previous marriage. The son and a guardian alleged that Mary Max had depleted his finances and browbeat him. She in turn claimed that they had kept him from her against his will and stolen paintings that belonged to her. Mary Max died in 2019.The art for the Beatles\u2019 Yellow Submarine was sometimes mistakenly attributed to Max, but the design for the album cover and Yellow Submarine movie are officially credited to the late Heinz Edelmann. Max was friends with the Beatles and many other celebrities. He also had a deep interest in Eastern spiritualty, bringing \u201cSwami\u201d Satchidananda Saraswati to the US and helping him popularize yoga in the country.Max\u2019s first marriage to Elizabeth Nance ended in divorce. He is survived by Adam and his daughter, Libra."
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